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I just wanted to say that I like them a lot and will probably be using the HM-1 over most of my others. I'm a home studio guy on a limited budget and so have the common low budget condenser (Apex) and always thought something was not right. The sibilance on voice and buzz on sax were things I didn't think were right, but I figured it was me and my limited equipment or EQ requirements, etc. Anyway I just used the HM-1 on a spoken word thing and it is great. Very clear and no distracting sibilance sound. Garry WasyliwRegina I have just received The HM-1 mic that I ordered about a week ago, and I must say the first impressions are very very good! Carsten RosenlundRosenlund Studio, Denmark I did a quick comparison with an Oktava MK-012, MK-319 and a Rode NT-1 recording my National Steel through a PC with a Delta soundcard via a Mackie mixer. I'm thrilled with the sound from the HM-1. It's warm and articulate, just what I was hoping for. Definitely the most natural sounding of the bunch. Larry Plitt
I purchased a pair of HM1's in the fall 2004, when they'd just hit the market. They most definately do what they're supposed to and much much more. They are IMHO a new swiss army knife mic that can do a heck of a lot of different things, and not only does it do it "as well as a classic german mic costing xx times more" - there are several things they do better than ANY other mic I know of (which is quite a few). Frederik RosenkjærBlackBurst Audioengineering, Copenhagen, Denmark "I just bought 2 HM-1 mics from you guys ... put them up as my drum room mics ... and we're all very pleased. Nice work!" Greg WellsProducer, Songwriter, Multi-instrumentalist |
